Tag Archives: African American

An Untapped Opportunity: African American Women’s Absence In The Craft Beer Industry


By Della Fain

There was a time when you thought of beer, it was a beverage to accompany you to picnics and ballparks. No one was doing anything innovative or creative with beer. Fast forward to now and crafted beer makes up 98 percent of all breweries in the U.S. This in no small part is due to the support of craft beer lovers. But who are these craft beer lovers?

In an industry that nets 107.6 billion dollars annually a 2014 survey conducted by Neilsen found that African Americans rank a minute 3.7 percent of all craft beer. And of that 3.7 percent, how many are Black women? To quote 702’s song “Where my girls at?” Now do not get me wrong, we are not non- existent and there are Black women in the industry as brewers, bloggers, owners, culture and lifestyle branders, but the numbers are minute. With society and lifestyle brands like Dope & Dank co-founded by a Black woman Beny Ashburn, who advocates diversity in the dank world of craft beer.

But in a decade of sustained growth, the craft industry has largely ignored minorities and in the past, diversity meant white women. And even today it only in a small part means men of color. So, where do we (African American women) fit in?

In 2017, Craftbeer.com listed 8 women in craft beer who are making a mark, and none were Black. No mention of Celeste Beatty, founder of The Harlem Brewing Company, or the fact that her beers are available in 39 Wal-marts across New York. In April of this year The Brewers Association, an organization dedicated to small and independent American brewers, named a Black woman J. Nikol Jackson-Beckham their first diversity ambassador. I tried unsuccessfully to interview Dr. Beckham about what a diversity ambassador does. Hopefully future dialogue about what diversity means in craft beer and what’s missing.

While recently watching a video of Alisa Bowens-Mercado the first African American woman brewing beer in Connecticut canning her own unfiltered lager named Rhythm I noticed she was the only woman of color present in the video. She is quoted as saying she would like to “see more women in the industry, more brewing, more women canning.”

Since craft beer has mainly been a white man’s game and only recently included men of color and even more recently white women, black women have a few hurdles to leap before we can be acknowledged and respected. The predominately boys club has also made it clear that they are not interested in our taste or opinions on beer unless a pair of breasts accompany it. So first we have to overcome sexism seals then race.

A lot of breweries do not even consider African American women as their consumer because Black women are not being seen drinking or purchasing craft beer. When I am in line for a can release I’m one of few women and the only Black woman in line. We do not feel included so we do not show our love for it and our opinion isn’t largely sought after because we aren’t present.

And finally, an issue I’ve seen with my growing presence on social media is lack of support to one another. I see our white counterparts trade, share, follow, repost and support one another on their craft beer journeys, but a huge lack of support amongst each other. Women are often pitted against each other in every facet and culture of life and the craft beer community is no different. I especially see it among black women. I say this having experienced more support, follows, shares, trades and paid appearances through white men. I see black men get together and have a guys weekend of comradery, fellowship and mutual love of craft beer. I know there are Black women who love craft beer, so how about we show the industry what we have to offer it. Cheers Black Women and if you see me, next rounds on me.

Della Fain is an Chitown native Arizona resident. Married mother of 3. She’s also a contributor to Bourbon Zeppelin giving bourbon barrel aged beer reviews. You can follow her on Instagram at @sixfeetofdynamite. 

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The Vernon Johns Story: Money Is Power Scene


In the Vernon Johns story, this powerful scene shows Reverend Johns trying to explain to his congregation the economic power they can wield in building a strong and vibrant community if they build and own their own institutions. A sentiment that would later be echoed by Martin Luther King, Jr. as he directed African American to move its money into African American owned banks. He also points out the disdain that many communities had (and continue) to have for African Americans, but have no disdain in taking our money. Can we become a self-sufficient people? Just how many things can we not purchase from an African American (Diaspora) company? The scene is powerful and the message still rings as true today as it did then.

HBCU Money™ Business Book Feature – Pushout: The Criminalization of Black Girls in Schools


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Fifteen-year-old Diamond stopped going to school the day she was expelled for lashing out at peers who constantly harassed and teased her for something everyone on the staff had missed: she was being trafficked for sex. After months on the run, she was arrested and sent to a detention center for violating a court order to attend school.

Just 16 percent of female students, Black girls make up more than one-third of all girls with a school-related arrest. The first trade book to tell these untold stories, Pushout exposes a world of confined potential and supports the growing movement to address the policies, practices, and cultural illiteracy that push countless students out of school and into unhealthy, unstable, and often unsafe futures.

For four years Monique W. Morris, author of Black Stats, chronicled the experiences of black girls across the country whose intricate lives are misunderstood, highly judged—by teachers, administrators, and the justice system—and degraded by the very institutions charged with helping them flourish. Morris shows how, despite obstacles, stigmas, stereotypes, and despair, black girls still find ways to breathe remarkable dignity into their lives in classrooms, juvenile facilities, and beyond.

HBCU Money’s 2016 African American Owned Credit Union Directory


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All credit unions are listed by state and in alphabetical order. In order to be listed in our directory the credit union must have an African American designation. Click on the state to view the full list available. If the credit union has a website you can click on the name and go directly to their website.

There are 318 African American designated credit unions with assets totaling approximately $5.8 billion in assets or approximately 0.51 percent of African America’s $1.1 trillion in buying power. African American credit unions have a total of 863 670 members.

ADDITIONAL NOTES:

  • African American credit unions comprise 49.6 percent of Minority Serving credit unions and 5.2 percent of all US credit unions
  • The total assets for all US minority credit unions is $36.4 billion, with AACUs controlling 16.2 percent of those assets. Total combined assets for all US credit unions are $1.2 trillion, with AACUs controlling 0.48 percent of total American credit union assets.
  • AACUs average assets: $18.4 million ($17.9 million)
  • AACUs average number of members 2 725 (2 688)
  • AACUs median assets: $1.4 million ($1.4 million)
  • AACUs median members: 505 (491)
  • For comparison, Asian American credit unions have approximately 362 000 members and $4.6 billion in assets. Average and median assets of $83.1 million and $30.0 million, respectively.

African American Owned Credit Unions by State:

Alabama

Arkansas

California

Connecticut

District of Columbia

Delaware

Florida

Georgia

Illinois

Indiana

Kentucky

Louisiana

Maryland

Massachusetts

Michigan

Mississippi

New Jersey

New York

North Carolina

Ohio

Pennsylvania

South Carolina

Tennessee

Texas

Virginia

Virgin Islands

Washington

West Virginia

Wisconsin

 

 

HBCU Money™ Business Book Feature – Collective Courage: A History of African American Cooperative Economic


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In Collective Courage, Jessica Gordon Nembhard chronicles African American cooperative business ownership and its place in the movements for Black civil rights and economic equality. Not since W. E. B. Du Bois’s 1907 Economic Co-operation Among Negro Americans has there been a full-length, nationwide study of African American cooperatives. Collective Courage extends that story into the twenty-first century. Many of the players are well known in the history of the African American experience: Du Bois, A. Philip Randolph and the Ladies’ Auxiliary to the Brotherhood of Sleeping Car Porters, Nannie Helen Burroughs, Fannie Lou Hamer, Ella Jo Baker, George Schuyler and the Young Negroes’ Co-operative League, the Nation of Islam, and the Black Panther Party. Adding the cooperative movement to Black history results in a retelling of the African American experience, with an increased understanding of African American collective economic agency and grassroots economic organizing.

To tell the story, Gordon Nembhard uses a variety of newspapers, period magazines, and journals; co-ops’ articles of incorporation, minutes from annual meetings, newsletters, budgets, and income statements; and scholarly books, memoirs, and biographies. These sources reveal the achievements and challenges of Black co-ops, collective economic action, and social entrepreneurship. Gordon Nembhard finds that African Americans, as well as other people of color and low-income people, have benefitted greatly from cooperative ownership and democratic economic participation throughout the nation’s history.