Category Archives: Books

“The Library of Babel” is one of the most memorable stories by the great Argentine writer Jorge Luis Borges. This slim book contains Andrew Hurley’s English translation of the story, eleven illustrations by Erik Desmazieres, and an introduction by Angela Giral.

“Library” is the quintessential “Borgesian” tale. The story concerns an infinite library, composed of endlessly connected hexagonal galleries, and populated by inhabitants among whom have risen various weird belief systems and subcultures. The first-person narrator is one of the library’s residents. “Library” is a masterpiece of the fantastic and the metaphysical.

Giral notes in her introduction that Desmaziere’s engravings are not literal representations of scenes from the story, but rather “the product of a parallel imagination, inspired to create in visual images his own, equivalent universe.” The etchings have an elegant, majestic, and sometimes whimsical quality that effectively complements Borges’ unique imagination. This book would make a nice gift for lovers of Borges, or of fantastic literature in general.

Courtesy of Michael J. Mazza

The name Jack Abramoff is synonymous with Washington scandal, but the fascinating facts of his case are either largely unknown or wildly misunderstood. His memoir will serve as a corrective – an engrossing, informative work of political nonfiction that is also a gripping real-life thriller. The biggest surprise twist comes in the form of Abramoff himself, a smart, funny, charming, clear-eyed narrator who confounds every expectation of the media’s villainous portrait. He’s a perfect bundle of contradictions: an Orthodox Jew and upstanding family man with a staunch moral streak, caught in multiple scandals of bribery and corruption with an undercurrent of murder. Abramoff represented Indian tribes whose lucrative casinos were constantly under threat from proposed changes in law; though he charged the tribes many millions, he saved them billions by ensuring votes to support the livelihoods of their reservations. Much of Jack’s share was funneled not into his own coffers, but to charities. Abramoff on the front pages could not be further from the Jack Abramoff who’s ready to tell his honest and compelling story.

For as long as accuser and accused have faced each other in public, criminal trials have been establishing far more than who did what to whom–and in this fascinating book, Sadakat Kadri surveys four thousand years of courtroom drama.

A brilliantly engaging writer, Kadri journeys from the silence of ancient Egypt’s Hall of the Dead to the clamor of twenty-first-century Hollywood to show how emotion and fear have inspired Western notions of justice–and the extent to which they still riddle its trials today. He explains, for example, how the jury emerged in medieval England from trials by fire and water, in which validations of vengeance were presumed to be divinely supervised, and how delusions identical to those that once sent witches to the stake were revived as accusations of Satanic child abuse during the 1980s.

Lifting the lid on a particularly bizarre niche of legal history, Kadri tells how European lawyers once prosecuted animals, objects, and corpses–and argues that the same instinctive urge to punish is still apparent when a child or mentally ill defendant is accused of sufficiently heinous crimes.

But Kadri’s history is about aspiration as well as ignorance. He shows how principles such as the right to silence and the right to confront witnesses, hallmarks of due process guaranteed by the U.S. Constitution, were derived from the Bible by twelfth-century monks. He tells of show trials from Tudor England to Stalin’s Soviet Union, but contends that “no-trials,” in Guantánamo Bay and elsewhere, are just as repugnant to Western traditions of justice and fairness. With governments everywhere eroding legal protections in the name of an indefinite war on terror, Kadri’s analysis could hardly be timelier.

At once encyclopedic and entertaining, comprehensive and colorful, The Trial rewards curiosity and an appreciation of the absurd but tackles as well questions that are profound. Who has the right to judge, and why? What did past civilizations hope to achieve through scapegoats and sacrifices–and to what extent are defendants still made to bear the sins of society at large? Kadri addresses such themes through scores of meticulously researched stories, all told with the verve and wit that won him one of Britain’s most prestigious travel-writing awards–and in doing so, he has created a masterpiece of popular history.